LTD Edition Red and Blue Splatter Vinyl
Lindsey Jordan's debut full-length album as Snail Mail, Lush, will be released on June 8th on Matador Records. It’s a debut for the record books — a refreshing marvel of songwriting and technical composition, that’s both cohesive and explosive — Her voice rises and falls with electricity throughout, spinning with bold excitement and new beginnings at every turn.
Lush feels at times like an emotional rollercoaster, only fitting for Jordan’s explosive, dynamic personality. Growing up in Baltimore suburb Ellicot City, Jordan began her classical guitar training at age five, and a decade later wrote her first audacious songs as Snail Mail. Around that time, Jordan started frequenting local shows in Baltimore, where she formed close friendships within the local scene, the impetus for her to form a band. By the time she was sixteen, she had already released her debut EP, Habit, on local punk label Sister Polygon Records (Priests, Downtown Boys).
With Lush, Jordan earns her place as a leader in the next generation of indie rock, the ones who are keeping the genre’s honorable ideals alight while continuing to expand its purview beyond straight white dudes. She was born in June 1999 and by the time she was in her early teens, the once-sturdy walls that separated mainstream and underground music were all but rubble. So while Jordan is indebted to the ethos of ’90s indie rock, she bends it to her will and her moment. There are echoes of early Liz Phair in Lush’s stark guitars and its tightrope walk between despair and enlightenment, but there are also flashes of Paul Westerberg at his most wrung-out, and Taylor Swift’s savvy heartache, and the solemn quietude of Frank Ocean’s Blonde. Jordan doesn’t make a big show of her eclecticism on the album—on its face, it is a collection of slow and mid-tempo guitar rock songs—but there are details that separate it from the tried-and-true indie of yesteryear, that make it feel born into her era.