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Sufjan Stevens & Timo AndresAsthmatic Kitty
Released: 13th December 2019
|LP||£19.99||Out of Stock|
Oscar- and Grammy-nominated composer, vocalist and multi-instrumentalist Sufjan Stevens will release his acclaimed score for Justin Peck’s ballet The Decalogue October 18 via his own label, AKR. Performed by the pianist Timo Andres, the recording is the first time the score, premiered during the New York City Ballet’s 2017 season, is available to the public.
The Decalogue is the third collaboration between NYCB Resident Choreographer Peck and Stevens, following 2012’s Year of the Rabbit and 2014’s Everywhere We Go. The piece was widely praised upon its premiere; The New York Times lauded the “beauty and charm” of Peck’s choreography as well as Stevens’ “romantically modernist études.”
Brooklyn-based composer-pianist Timo Andres is a Nonesuch Records artist, who has written major works for the Boston Symphony, Carnegie Hall, the Barbican, the Takács Quartet, the Concertgebouw, and elsewhere. He performs regularly with Gabriel Kahane, and has frequently appeared with Philip Glass, Becca Stevens, Nadia Sirota, the Kronos Quartet, John Adams, Ted Hearne, and others. As a pianist, Timo has performed at Lincoln Center, for the New York Philharmonic, the LA Phil, at Wigmore Hall, for San Francisco Performances, and at (le) Poisson Rouge. Upcoming highlights include a curated program for the Cincinnati Symphony (featuring Dance Heginbotham and a performance of Andres’s cello concerto, Upstate Obscura), and a solo piano recital for Carnegie Hall. Previous work with Sufjan Stevens includes the orchestration of “Principia” for Justin Peck and the New York City Ballet.
The title of “The Decalogue” has a touch of the grandiose: it means “The Ten Commandments.” Yet this score, composed by Sufjan Stevens for a dance work
choreographed by Justin Peck that premiered with the New York City Ballet in May of 2017, is quiet and experimental. Stevens’s piano score, as played and recorded by Timo Andres, sounds like etudes in the Romantic-modernist tradition, as if prompted by Debussy.