Monorail Music is continuing to follow Scottish Government advice with regard to Covid-19. The shop is now open 11-6 Monday to Saturday and we will be reopening on Sundays from August 30th, 11-6. Admittance to the shop is via Osborne Street. Our online service is operating as normal.
Kosmischer LauferKosmische Laufer
Volume 2: Secret Music Of The E. German Olympic Program
Released: 27th January 2017
|LP||£19.99||Buy Now||In Stock. Dispatched tomorrow.|
Super nice retsock. Here's how we presented it last time round.
An amazing find, Kosmischer Laufer is the ongoing reissue project documenting the cosmic made specifically for the East German Olympic efforts in the 70s and early 80s.
In East Germany in the early 1970’s Martin Zeichnete worked as a sound editor for DEFA, (Deutsche Film-Aktiengesellschaft), the state-owned film studio. Like many young East Germans of the time he would listen furtively to West German radio at night and became infatuated with the Kosmische Musik or ‘Krautrock’ epitomised by the likes of Kraftwerk, Neu! and Cluster emerging from his neighbouring country. Martin, a keen runner, hit upon the idea of using the repetitive, motorik beats of this new music as a training aid for athletes. He thought it could benefit the mind as well as the body with the pulsing, hypnotic music bringing focus. A ‘borrowed’ prototype of Andreas Pavel’s Stereobelt showed Martin the technology to provide music on the move already existed and could easily be adapted for runners.
After sharing his concept with colleagues Martin was taken from his studio to East Berlin, quizzed by the authorities about his ideas and, fearing the worst, was surprised to find himself put to work by the Nationales Olympisches Komitee immediately. Installed in a cold Berlin studio with the few electronic instruments the state could supply, (Martin asked for a Moog but was refused), he began one of the strangest journeys in music. Known to the government as State Plan 14.84L, Martin and his fellow musicians informally called it ‘Projekt Kosmischer Läufer’ (Cosmic Runner).
For the next 11 years Martin would be spirited to Berlin to work on tracks with little notice. He created hours of music fusing traditional rock instruments with synthesizers, early drum computers, tape slicing and looping techniques he and his engineer formulated themselves. His output included tracks for running at various paces, warm up pieces, ‘ambient’ music to play in gyms during training and pieces for artistic gymnastic routines.