Covid-19 update

Monorail Music is now open Mon-Sat 11am-7pm and on Sunday 12-7pm. We're continuing to follow social distancing rules in accordance with government guidelines. Please continue to wear a face covering where possible.

Thanks for all your support!

Ducks Ltd

Modern Fiction

Carpark

Released: 1st October 2021

LP - Milky clear vinyl£19.99Out of Stock
LP - Dinked "Gold Nugget Vinyl" + bonus flexi£23.99Out of Stock


Ducks Ltd. is a band formed in Toronto, Ontario, and currently based between Toronto and Geelong, Australia, that crafts bright and modern jangle-pop. The duo consists of Tom Mcgreevy, on vocals, rhythm guitar and bass, and Evan Lewis, on lead guitar. Both members were playing in other groups within the Toronto music scene and met while on the same tour. They then decided to collaborate upon discovering their mutual love for 80s pop bands like Felt, Orange Juice, and The Go-Betweens. Together, Ducks Ltd. stitches together layers of intricate melody to make moving, nostalgic music — an irresistible combination that radiates energy and provokes introspection.

“The Servants, The Clean, The Chills, The Bats, Television Personalities, Felt,” Evan rattles off. “Look Blue Go Purple is one I reference a lot with our production.” Echoes of ‘80s indiepop abound, but they never overwhelm. This is not a nostalgic record, after all, nor is it a derivative one. Instead, across 10 cheery-sounding songs, Ducks Ltd. explore contemporary society in decline, examining large scale human disaster through personal turmoil (hence the title, taken from a university course called Gnosticism and Nihilism in Modern Fiction, influenced by Graham Greene novels. Bookish indie fans, look no further.)

Writing the album was intimate. Tom drafted the nucleus of a song on an unplugged electric guitar and brought it over to Evan’s apartment, where the pair sat in his bedroom, placing percussive beats from a drum machine under nascent melodies, passing a bass back and forth, adding organs and bridges where necessary. “It’s computer music trying extremely hard not to sound like computer music,” Tom jokes. Fearful that limited and expensive studio time would kneecap the project creatively, eroding their charming naivete, the pair re-recorded the album in a storage space owned by Evan’s boss. Ornamentation through collaboration followed: there’s Aaron Goldstein on Pedal Steel in the Go-Betweens’ “Cattle and Cane”-channeling interlude “Patience Wearing Thin,” Eliza Niemi on cello (“18 Cigarettes,” a song loosely inspired by a 1997 Oasis performance of “Don’t Go Away”), and backing harmonies from Carpark labelmates The Beths (on an ode to friendship at a distance, “How Lonely Are You?,” “Always There,” and on the sped-up Syd Barrett stylings of “Under The Rolling Moon.”) While in his native Australia due to covid-19, Evan worked closely with producer James Cecil (The Goon Sax, Architecture in Helsinki) on Modern Fiction’s finishing touches—at one point, in the mountains of the Macedon Ranges in Victoria, recorded a string quartet (featured on “Fit to Burst,” “Always There,” “Sullen Leering Hope,” “Twere Ever Thus,” “Grand Final Day.”)