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The Specials

Protest 1924 - 2012

Universal

Released: 1st October 2021

LP - Limited Black Vinyl£23.99Out of Stock
LP - Indies Only Yellow Vinyl £23.99 Buy Now In Stock. Dispatched on Monday.


Indies only yellow vinyl

The Specials who enjoyed a triumphant 2019 with the release of the critically acclaimed “Encore”, their first ever number 1 album, coming 40 years after they exploded onto the music scene and launched the 2 Tone movement, make a very timely return with the release of their brand new album “Protest Songs – 1924 -2012”. Released on August 27 th through their new label Island Records, the album features twelve singular takes on specially chosen protest songs across an almost 100-year span and shows The Specials still care, are still protesting and are still pissed off!

The Specials emerged in the late 1970s as the multiracial flagship of the 2 Tone movement, and sang of racism, unemployment and injustice making a very clear political statement every time they stepped on stage. It's fitting, then, that in 2021, at a time when the world is riven with social, racial and political unrest, that the Specials have made this album of Protest Songs and are once again reflecting the society we live in and taking a stand against all forms of injustice. A typically unpredictable collection of unique takes from folk to post-punk, righteous uplift to biting satire, and from Kingston to Alabama, the album is a powerful reminder that there are no fixed rules to what
makes a protest song. All that’s required is the combination of something that needs to be said with
music that needs to be heard. “People have been using music as a vehicle for protest since time
immemorial,” says bass-player Horace Panter. “Injustice is timeless.”
In February 2020, Horace, Terry, Lynval and co-producer Nikolaj Torp Larsen gathered to begin work
on a reggae record, the follow up to Encore. Then Covid hit and plans were put on hold. During the
first lockdown and following the murder of George Floyd and the waves of protest that grew around
the world, Terry suggested that they make a different kind of record as a response to recent events.
The trio started by picking some personal favourites. The Mothers of Invention’s Trouble Every Day
(Horace), Leonard Cohen’s Everybody Knows (Terry) while Lynval was keen to sing Bob Marley’s
classic rebel song Get Up, Stand Up. Other favourites included Talking Heads’ Listening Wind and
“Trouble Every Day” which was about the Watts riots in 1965. Spending months combing YouTube
and books for songs they had never heard before, they discovered or rediscovered Big Bill Broonzy’s
angry 1938 blues Black, Brown and White and the Staple Singers’ stirring Freedom Highway, written
for the marches from Selma to Montgomery in 1965. The Dixie Jubilee Singers first recorded the
spiritual Ain’t Gonna Let Nobody Turn Us Around in 1924 but it was the civil rights movement that
tweaked the lyrics and made it an anthem. Soldiers Who Want to Be Heroes is another example of a

song that found its true calling after the fact. Written by the poet Rod McKuen in 1963, it was
rerecorded three years later, during the dog days of the Vietnam war.