Alasdair RobertsDrag City
Released: 3rd March 2017
|LP - Monorail Edition: Signed with Bonus CD and booklet||£19.99||Buy Now||In Stock. Dispatched tomorrow.|
|CD - Monorail Edition, UNSIGNED with Bonus CD and Booklet||£11.99||Out of Stock|
PLEASE NOTE: CD SIGNED EDITION IS NOW SOLD OUT BUT STILL AVAILABLE UNSIGNED WITH BONUS CD. SIGNED VINYL EDITIONS ARE STILL AVAILABLE AS BEFORE
Monorail Exclusive Edition: signed with bonus "I Carry The Dead In My Hand" compilation cd curated by Alasdair Roberts and with full sleeve note booklet. "I Carry The Dead In My Hand" is a personal collection of traditional songs that have inspired Roberts throughout his career.
Alasdair Roberts and Friends were deep within the epic song approaches of the widely acclaimed A Wonder Working Stone (2013) when last heard creating music of such scope. While similarly broad in range, new album Pangs brings different forms of song-craft and modes of collaboration again. Throughout his career, Alasdair has created an original and personal music from certain traditional song sources (always carefully annotated in the album notes for the listeners’ derivation). His additional contributions to music and lyric bring new meanings, passing the pieces ever forward, as they were passed to him. Anyone immersed in the old texts of Child ballads and the narrative and history that they embody might be expected to imbibe in other ancient and sacred materials - and indeed, on occasion, Alasdair has taken care to weave the disparate strands of his far-flung researches and musings into what we can only perceive as a new form of folk song - Syncretic Ballads, for want of any other term. And so the Pangs songs variously touch on subjects as diverse as kenosis, couvade and Malthusianism.
Recorded in Ireland with Julie MacLarnon, Pangs finds Alasdair in a power trio beside his long-time musical partners Alex Neilson on drums and Stevie Jones on bass (and he turns his hand to piano and organ too). Along with guests Debbie Armour, Tom Crossley (The Pastels / International Airport), Rafe Fitzpatrick and Jessica Kerr, they summon up a powerful - and powerfully gorgeous - storm over ten new songs. With “The Angry Laughing God” and “The Downward Road,” Alasdair delivers two of his most driving pieces - one might even call them “rocking”! Following that, he turns around and plays two of his most touching ballads (and our lad’s had a lot of them over the years!) in “Wormwood and Gall” and “Scarce of Fishing”. Additionally, the album is launched with the eponymous track “Pangs” in what we hear to be a remarkable evocation of the 60s and 70s folk-rockers of the British Isles - the electric warriors of Fairport Convention, the Battlefield Band, Planxty, Richard Thompson and so many significant others! Alasdair’s roots run deep and his sound is conversant with the many iterations of the music from the past, but it is simultaneous present and active in our contemporary milieu. This is vitally true of Pangs - the people of today are in dire need of the edification and amusement that Alasdair Roberts brings.
Pass the music ever forward!